So, after about six months of doing my best impersonation of Dustin Hoffman in The Graduate and being a pretty useless vagrant in various parts of the world, I've finally returned to a somewhat stable mode of working and living like a real person again. So, I feel it's fitting to get back into the blogging game. To start off, I've got some pictures of a silly character I've made in preparation of making some armatured puppets for stop motion. Warning, he's naked:
As far as work goes, I'm currently on a project for the same director as the Chocolate video, Mr. Carlos Lopez Estrada. Here is the making of:
I'm in charge of turning all the green things into other things. Hurray for Rotoscoping! I'll post it when it's done...
In an effort to spend as little money as possible on a Secret Santa gift exchange this week, I made a little guy out of clay. But I liked him so much that I had to take some pictures before handing him off to his lucky new owner. Check him out:
I recieved a bunch of Boton Rice Candy from my secret Santa, which couldn't have gotten me more excited. God, I love that stuff.
I also have been getting more stop-motion practice in to prepare myself for the video I'm making with the likes of Carlos Lopez Estrada, Christian Heuer, and Nate Miller. The video is going to involve a few different styles of stop motion, and I've set up a webcam to Dragon Stop Motion to start trying some stuff out.
The first test I've done is to try out a sand animation technique that we will most likely be using. I didn't have any sand on hand, so I grabbed some cous cous and tossed it on an old briefcase. It was slow progress, what with the pushing little tiny cous couses along with a matchbook and a paint brush, so I only made about three seconds of animation. But I think it came out pretty cool. I looped it a few times so it's easier to watch and put a track behind it by my friend, Triptonikhan. Check it:
I spent this week designing and building a camera dolly for stop-motion camera moves. I have a stop motion music video idea a-brewin', and I knew I was going to need something for dolly shots. It seems that the demand isn't high enough for any one company to make premade stop motion dollies. But I had seen a design that I liked by one Brady Whitcomb that a google search turned up and knew I could fashion something like it myself. His was controlled by a long threaded rod that was spun at one end to scoot along his dolly platform. However, I had no idea how to cut all the aluminum that he had used. So I sat down and thought about how I could achieve the same control with wood and PVC pipe because I knew how to cut and screw those substances.
After a lot of head scratching and procrastinating I drew this last tuesday:
I then hitched a ride with E.T. Hazzard to Home Depot in Oakland to stock up on some hardwares. I bounced my ideas off of him over the almost two hours we spent walking around and grabbing random things. He took my one-pully idea and proposed using two to avoid the wire catching on itself. He also cut the angles and the metal for the handle. He's really a handygod among handymen.
Without a car, it took me the rest of the week to buy some skateboard wheels--Thank you, 510 on Telegraph--and to take a few more trips to hardware stores--thank you AC transit--as I figured out I had not gotten everything that I needed the first time. It's really a miracle that I yesterday I was able to drill, screw, and sand my way into making this little doozy (all for under $80):
It's controlled by a crank in the center of the board that when spun, slides the dolly along a steel wire down the track. The spitfire sticker came with the wheels. Hella custom rig, yo.
I put a protracter on the bottom so that I can turn the handle by a standard degree each shot and plan out speed ramps to and from a stop.
I have E.T. to thank for this pully design. I was originally thinking one pully with the steel wire making a full rotation around it, but this works a lot smoother and the wire doesn't have to touch itself. Plus it looks really classy.
And here is my very first dolly shot ever. Made with the help of my screen writing buddy Austin Zumbro. Keep in mind this is shot with an old point and shoot still digital and I had yet to put the protracter in and was just eyeballin' it for the rotation. Expect more (smoother) test shots in the coming week.
But although I am very proud of my dolly, that shot is kinda boring. So instead of leaving you with that, I'll leave you with an old bit of stop motion that me and Austin made a couple summers ago. It's silly:
As far as work goes, I'm currently on a project for the same director as the Chocolate video, Mr. Carlos Lopez Estrada. Here is the making of:
Dolly!
It's controlled by a crank in the center of the board that when spun, slides the dolly along a steel wire down the track. The spitfire sticker came with the wheels. Hella custom rig, yo.
I put a protracter on the bottom so that I can turn the handle by a standard degree each shot and plan out speed ramps to and from a stop.
And here is my very first dolly shot ever. Made with the help of my screen writing buddy Austin Zumbro. Keep in mind this is shot with an old point and shoot still digital and I had yet to put the protracter in and was just eyeballin' it for the rotation. Expect more (smoother) test shots in the coming week.
